Academic thesis
| Abstract: |
The subject of this thesis is a fragmentary and repeatedly revised canvas painting of Father God with a historic addition on a separate canvas. The appearance is influenced by a wax-resin lining and extensive overpainting. The thesis addresses the examination of the painting’s structure and the following revisions, a concept for conservation based on the results and the execution of the treatments with the goal being to recombine original and addition through a relining. This includes tests of methylcellulose adhesive meshes for lining.
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| Keywords: |
adhesive meshes, wax-resin lining, fragment, overpaint, additions, revisions, relining, Father God, baroque |
| Details: |
- academic institution: Hochschule für Bildende Künste Dresden
- kind of theses: Diplomarbeit
- main Tutor: Prof. Dr. Ursula Haller
- assistant Tutor: Prof. Dr. Christoph Herm
- date: 2020
- Language: German
- pages: 120
- pictures: 233
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