Hochschularbeit
| Luisa de Sousa Coutinho: | Between Imagination, Perspective and Architecture: An Art-Historical and Technological Study of a Panel Painting | Zurück |
| Sprache: | Original - Übersetzung | |
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| Zusammenfassung: | During the 16th and 17th centuries, the Netherlands underwent profound political and religious upheavals that significantly impacted artistic production. In this context, the genre of architectural painting emerged, characterized by its emphasis on precise perspective-an approach that had previously played only a minor role in Netherlandish painting. Pioneering figures such as Hans Vredeman de Vries and the van Steenwyck family developed compositional principles and perspective schemes that influenced artists well into the mid-17th century. Against this historical backdrop, a previously little-studied panel painting is examined using both technical and stylistic analysis. The aim is to determine-through a combination of material investigations (including cross-sections, SEM-EDX, and UV light examination) and stylistic comparisons-whether the painting is an original work from the early 17th century or a later imitation in a historicizing style. Based on the analytical findings, the documented condition, and the results of cleaning tests, a treatment proposal was developed that includes both conservation and restoration measures. |
| Schlagworte: | Panel Painting, South Netherlands, early 17th Century, Architecture, Perspective, Imagination |
| Inhalt: | Introduction 1 Object Identification 1.1 History of the Object 1.2 Description of the Object 2 State of Research 3 Historical and Art Historical Context in the Netherlands 3.1 Political and Religious Change as a Framework for Artistic Innovation in the 16th and 17th Centuries 3.2 The Influence of Hans Vredeman de Vries on Architectural Perspective 3.3 The Genre of Architectural Painting and its Relevant Artists 4 Methodology 5 Stylistic Analysis 5.1 Stylistic and Formal Features 5.2 Historical Context 5.3 Conclusion 6 Compositional Analysis 6.1. Perspective, Composition and Representation of Space 6.2 Examination of the Underdrawing by IRR 6.3 Perspective Book by Hans Vredeman de Vries 6.4 Conclusion 7 Technical Examination 7.1. Macroscopic Examination of the Wood 7.2 Optical Examination of the Paint Layer 7.3. Material Characterisation through XRF 7.4 Stratigraphic Analysis from Cross-Sections 7.5 Elemental Analysis with SEM-EDX 7.6 Pigment Determination from the Blue Pigment with the Polarisation Microscope 7.7 Historical Recipes and Their Analytical Correlation 7.8 Conclusion 8 Discussion 9 Treatment Proposal 9.1 Condition and Damage Report 9.2 Reverse Stabilization, Back Protection and Framing 9.3 Cleaning and Varnish Removal 9.4 Consolidation, Filling and Retouching 9.5 Preventive Measures and Monitoring Conclusion and Outlook Bibliography Sources Appendix |
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| Kontakt: |
Luisa de Sousa Coutinho luisa.coutinho@[Diesen Teil loeschen]stud.hawk.de |
| Zurück | |
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